Scarica l'app Kindle gratuita e inizia a leggere immediatamente i libri Kindle sul tuo smartphone, tablet o computer, senza bisogno di un dispositivo Kindle.
Leggi immediatamente sul browser con Kindle per il Web.
Con la fotocamera del cellulare scansiona il codice di seguito e scarica l'app Kindle.
OK
Immagine non disponibile
Colore:
-
-
-
- Per visualizzare questo video scarica Flash Player
Seed Copertina flessibile – 13 settembre 2012
- Lunghezza stampa341 pagine
- LinguaInglese
- EditoreNightshade Book
- Data di pubblicazione13 settembre 2012
- Dimensioni15.24 x 2.24 x 22.86 cm
- ISBN-101597803251
- ISBN-13978-1597803250
Descrizione prodotto
L'autore
Dettagli prodotto
- Editore : Nightshade Book; Reprint edizione (13 settembre 2012)
- Lingua : Inglese
- Copertina flessibile : 341 pagine
- ISBN-10 : 1597803251
- ISBN-13 : 978-1597803250
- Peso articolo : 439 g
- Dimensioni : 15.24 x 2.24 x 22.86 cm
- Recensioni dei clienti:
Informazioni sull'autore
Scopri di più sui libri dell'autore, guarda autori simili, leggi i blog dell’autore e altro ancora
Recensioni clienti
Le recensioni dei clienti, comprese le valutazioni a stelle dei prodotti, aiutano i clienti ad avere maggiori informazioni sul prodotto e a decidere se è il prodotto giusto per loro.
Per calcolare la valutazione complessiva e la ripartizione percentuale per stella, non usiamo una media semplice. Piuttosto, il nostro sistema considera cose come quanto è recente una recensione e se il recensore ha acquistato l'articolo su Amazon. Ha inoltre analizzato le recensioni per verificarne l'affidabilità.
Maggiori informazioni su come funzionano le recensioni dei clienti su AmazonLe recensioni migliori da altri paesi
There's a lot the author is trying to do, but never quite delivers on it. There are several sub-plots that do get resolved, though somewhat abruptly. It's fairly easy to read, owed to the author's skilled writing, but there are some inconsistencies in flow that disrupt the narrative. For example, the point where a depleted uranium artillery shell is fired on a character as a dead-man's switch. They are injured, but still walking and talking, and the story marches on.
If the author had reigned in his scope, he has the talent to deliver a compelling story in a dystopian world with a lot of potential.
"If The Windup Girl had been born in the American Southwest, and had had the genes of Akira spliced to it in utero, you'd have something like Seed, a gritty, sobering story about the fallout of climate change. When Seed hits it hits hard, but there are parts that are surprisingly tender. The writing is intricate and bright, the plot sings, and through fascinating extrapolation, Ziegler has created a world that feels foreign and familiar both. The bottom line? Seed is a bold and welcome edition to the rising tide of ecopunk."
Beyond this, what I can say is that Seed is a book that constantly challenges you. It's inventive and immersive. The world feels consistent and fascinating. I haven't gotten a feel from a book like this in a while. The last time I recall feeling this sort of wonder was when I'd read William Gibson for the first time.
For those that like their sci-fi with a harrowing plot and characters that live and breath, Give seed a try. You'll be glad you did.
Brood is perhaps the most sympathetic character, one of millions of migrants ranging the wilderness in search of briefly stable micro-climates in which to raise crops. Doss, too, is well-written; an ageing veteran of numerous government ops, traumatised but driven to succeed, knowing that the moment she looses her usefulness to the corrupt regime in 'New DC' she will be out on her ear. Doss' chapters always entertain and do the most to drive the plot forwards; she also gets to play with the few high-tech toys remaining in Seed's apocalyptic world. Sumedha, by contrast, features rather too much post-human weirdness to be of much interest. He develops into a decent villain, but his early chapters are amongst Seed's least interesting. That said, all three principle characters get decent arcs, whilst adding their own flavour to the unfolding tale.
Running through Seed is a pitch-black thread of quiet despair. Brood lives hand-to-mouth, only ever having known a post-collapse world, only once does he express telling surprise at the fact that he needs to plan beyond the next meal. Doss, by contrast, has an understated nostalgia for the former glories of the USA which underpins her contempt for New DC's apathetic elite, and later a bloody quest for revenge. Her encounters with an incompetent general and his battalion of child soldiers are amongst Seed's most haunting. There are some good reflections on loss and hopelessness tucked in between the book's generally action-packed passages. Such gloomy themes, however, make the reader long for a more uplifting conclusion than Seed's ambivalent coda.
Implicit in the book's misery is an indictment of the present day's myopic attitude to climate change. Fortunately Ziegler has the restraint not to have his characters harp on about the failings of their predecessors. Insofar as Seed has a message, it is as a cautionary tale. But have no illusions; Ziegler's debut is a punchy thriller, but has no Big Ideas to help it stand out in an increasingly crowded genre. Its plot and characters are perhaps a little too straightforward to be truly memorable. Ultimately Seed is an enjoyable book, but an inessential one.
The technology in SEED is not explained in detail early on, which means a reader is left guessing as to the exact nature of a specific technology - or even people created through such technology - but as you read on things become clearer and the novel turns from slightly frustrating to greatly rewarding. The book rewards those who stick with it, and its ending is epically magnificent and satisfying.
Those who like their hard sci-fi with liberal sprinklings of grit, violence, and gloom will definitely enjoy SEED.